Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
懂了，这个世界价值观里命最贵的是狗狗。意外还不错，虽然第一轮还是觉得打得没啥必要，揭开真相后第二轮确实打爽了
75/100 不如第一部，尤其是后期愈发的崩，但运镜和氛围依旧厉害
失望，导演已经技穷了，节奏很拖沓，动作戏也不过瘾，没有第一部密室杀戮关门打狗玩得溜，溜得爽，导演显然也不想再拍续集了，本来可以搞成美国盲侠座头市系列的，结果拍成了这个杀手不太冷的套路，可是，能不能找个可爱、灵动一点的女孩呢，里面这小孩还是差点意思，还好狗狗叛徒比较萌，总之狗比人讲感情。
这老头真抗打。最后都死得其所。安排妥妥的。
第一部的精彩在于惊悚的节奏而非剧本。
3.5 惊悚爽片，过瘾的虐杀戏，非常沦丧的道德——母亲要取女儿的心脏为自己续命，女儿剁了母亲的手还亲手杀了父亲，这种剧情真敢想，也真不错。
剧情走向过于寻常，有太多像收容所之类暗示结局的场景了，因此作为反类型片的代表，本片的这个特色是要稍逊色前作的。
差强人意，套路有些用变味了。黑暗版的电锯惊魂那意思了…比第一部血腥了不少。小女孩Phoenix的加入也让blind man多了一些温情
最精彩的是小混混入侵时盲眼战神的自卫反击战，双方都心狠手辣斗智斗勇，小女孩被困在保险柜里受水刑以防搅局同时拉高了剧情的紧迫感。一波输出后，导演意识到这才半小时战神就大杀四方，接下来这故事就没法讲了，果断把小女孩放出来激活熊孩子属性给战神上debuff，顺利将剧情推到羊入虎口。换片场了盲眼战神怎么过去呢？不管了让敌人的狗子导航领路。新片场水波探测是个亮点。剧情又推不下去了，狗子不在孩子也不在。不管了，来个敌人叛变给盲神指路！总之辛苦打完boss，还给盲神洗白一波了，“我手上有人命我们已经不能在一起了”什么的。其实这孩子能为了活下去剁亲妈手捅亲爹肚，完全是个狠人，你俩绝配犯不上洗白。孩子是真狠，就这么抛下盲神走了。最后还是狗子来舔手给盲神上了buff，确保票房好的话剧情没写死还能有下部。
不过还是觉得此片要好过第一部的，你以为是为了可爱的小妹妹？不，是要告诉你要善待狗狗！
这车技一般人比不了！和之前看的《姐姐》结尾类似！是个爽片~
7.3/10 如果你能接受从惊悚恐怖变成犯罪动作风格并且不带脑子观看的话，这部还是很合适的。
屏住智商，开挂盲侠。重复的步伐，没能够1+1＞2。★★★/6.4
看着看着媳妇质问我，你不是说这老头武功很高吗？
第一部的惊悚风格变成了血浆风。加入了小孩却减弱了屏住呼吸的概念，多少有点得不偿失吧。
忠诚很重要，但前提是分得清是非善恶。
没想到续集变成了不要呼吸之last of us大爽片，这嘴巴和鼻子被封上胶水，同伴来了直接用螺丝刀在脸颊上戳个洞，这么暴力至于吗。。。。。
奇葩故事，狗尾续貂，浪费了我大爷的一身好肉。
女版《玩命快递》吗？挺好看的，分数个人感觉偏低了点，女人小孩的设定倒是挺新颖的，剧情上也过得去，动作戏也不用说，还是有模有样的，那个大反派的设定，我挺意外的，完全一个黑道大佬的样子，怎么就是警察局的领导呢，不过，挺好的一部动作爽片。
作为续集真是不明所以，上一部的反派竟然可以通过父女情深的戏码来洗白。惊悚片变成了暴力血浆片，剧情还是如此老套。血浆倒是挺多，可也救不了这片子
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